freelance fotograaf « Jurgen Doom

Model photography – shoot with Sylviane Alliet – last setup

3 February 2011 om 10:54 door Jürgen geplaatst in de categorie Flashlight,fotografie,photographer,Photography,Portrait

To end the shoot with Sylviane Alliet, a TFCD project in which we took a number of types of pictures we wanted to make  but that we can not always do so when working for an assignment, we we decided to end the day with some images that had a rougher look.

Therefore we went to the “basement” – yes, I can say that I spent some time in the basement with Sylviane – to find a background that matched the character role that Sylviane was playing.

The “industrial background” is illuminated with a Nikon SB900 flash with a CTB filter (to get a cooler atmosphere), while Sylviane was lit by a Nikon SB900 through an umbrella.  If I’m not mistaken, I even made it a little warmer with a quarter CTO. Sylviane is also lit from behind, to create some backlight. The result is shown below.

What have we finally learned from this and previous shoots.

1. that it is possible to use a backpack of equipment (Nikon D3s, 4 SB900 flashes, stands, umbrellas and gels) at a location and still get different setups that are fundamentally different

2. that working with a professional model is just fantastic

3.that  you do not need much material to make different kind of images

4. that occasionally doing a TFCD is great fun in order to try a few things with or without great results

At the end of the day both Sylviane and I were ready for the scrap heap, but we were pretty happy with the cooperation and results. There are now plans to do something similar, but in an outdoor location …. and I am already looking forward to it!

model photography
model fotografie – shoot met Sylviane
model fotografie - shoot met Sylviane
model fotografie – shoot met Sylviane
model fotografie - shoot met Sylviane

model fotografie - shoot met Sylviane
model fotografie – shoot met Sylviane

A cover by surprise

2 February 2011 om 12:13 door Jürgen geplaatst in de categorie Flashlight,fotografie,Photography,Portrait

Usually you know in advance that you can go shoot a cover. The editor would typically call with the question that photographers really love: “would you like to photograph  X, Y or Z, preferably in a vertical format, as it is for the cover”.

Er, yes, even love to. I will even say more, you can call me every day with these kind of questions!

No, all joking aside, when I get this kind of questions I’m actually really happy, as it is an added bonus and a way of appreciation for the photographer.

When shooting the portrait below, however, I was not told that it would end up on the first page of the magazine. Not that it would have made any difference in the shooting, but I would certainly have been a little more nervous had I known that the photograph would have been for the cover.

And look, apparently the picture was good enough – to my great surprise and joy – to feature on the cover page!

Nevertheless, the picture was taken on a dark and rainy Wednesday night in a tiny house. The person is highlighted with a “flash through umbrella”, while the background is illuminated with a flash with CTO filter (you get the impression that there is a small lamp- light. There is also a light there, but that would never light enough on the photograph. hence the flash). D3s Nikon, Nikkor 85mm. Controlled flash with the Nikon CLS system.

portret fotografie - cover voor OKRA
portret fotografie – cover voor OKRA

At the inside of the magazine, another shot out of that series was also used.

portret fotografie - cover voor OKRA
portret fotografie – cover voor OKRA

And lastly, there was a shot of a farmer, which I took during a snow storm.  I put him inside, in a tiny cold room, in order to get some of the texture of the wood.

portret fotografie - cover voor OKRA
portret fotografie – cover voor OKRA

Model photography – shooting with Sylviane Alliet part 3

1 February 2011 om 11:10 door Jürgen geplaatst in de categorie Flashlight,fotografie,Gear,Photography,Portrait

Being able to shoot a professional model such as Sylviane is always a lot of fun for a photographer. By working with someone who knows how photography works and how to behave in front of the lens, the photographer shouldn’t ecnounter too many difficulties any more in order to make good images.

This is of course partly true, because for the setup for our third part of the shooting session I was still a looking for atmosphere, lighting, composition and artistic interpretation. The “Yogaposes” that we had in mind were not so simple to implement, and many artistic and technical constraints made this - certainly for me - the hardest of the four setups that we’ve done.

The images were created with 3 or 4 flashes (in Sylviane’s living room), which in our first series of images were positioned so that I wanted to create a a dark and intimate atmosphere. But as Roeland on his blog a while back so well put it, the result was ultimately not entirely as I wanted and I did not immediately see many solutions to  quickly improve things. Frustrating!

yoga, wellness & zenn
yoga, wellness & zenn

Therefore we decided to change the whole look and feel of the image by turning everything around (angle, orientation, lightin, mood, etc  ….).  Hey, it’s our party and we cry if we want to!

yoga, wellness & zenn
yoga, wellness & zenn
yoga, wellness & zenn
yoga, wellness & zenn
yoga, wellness & zenn
yoga, wellness & zenn
yoga, wellness & zenn
yoga, wellness & zenn

The result was much more pleasing and we ultimately got some interesting and good shots out of it.

But watch this space, for our last series of shots we’ll go “down and dirty”!

Model photography – model shoot with Sylviane Alliet part 2.1

24 January 2011 om 11:01 door Jürgen geplaatst in de categorie advertising,Camera,Commercial,Flashlight,fotografie,Gear,Photography,Portrait,Software

In the previous blog post about the shoot with Sylviane Alliet, I talked about the images we made in the doctor / dentist / assistant / medical sphere.

Because we don’t  take pictures with a model and the right attributes every day to (especially in the medical field), we decided to quickly do a few shots of Sylviane against a different background. That way we could get some extra mileage out of the attributes.  We did this by simply moving the flashlights to another location (right around the corner from our previous shots), with as a result a set of pictures which breathed a totally different atmosphere.

The pictures were taken with 2 Nikon SB900 flashes in slave mode, triggered by a Nikon SB900 on camera - the Nikon CLS system. One flash was standing outside, behind the door, the other stood between between the photographer and Sylviane, but aimed at a corner in the room. In other words, the light was “bounced” or reflected by the white walls and ceiling, so to get an even lighting over Sylviane.

All photos were taken with a Nikon 85mm prime on f2 (because I simply liked to workon f2. Nah).

The result looks like this (images post-processed in Lightroom 3.3).

Shoot with Sylviane - medical

Shoot with Sylviane - medical theme

Shoot with Sylviane - medical theme

Shoot with Sylviane - medical theme

From here on I added some warmth to the image by placing a full cut CTO gel over the outside flash.  Hence the impression of sunlight coming through the door and the warm atmosphere.

Shoot with Sylviane - medical theme

Shoot with Sylviane - medical theme

Shoot with Sylviane - medical theme

Shoot with Sylviane - medical theme

Shoot with Sylviane - medical theme

Shoot with Sylviane - medical theme

Next blog post will be much more “zen” … promised!

Model photography – shoot with Sylviane – part 2

19 January 2011 om 21:19 door Jürgen geplaatst in de categorie advertising,Camera,Commercial,Flashlight,Gear,Photography,Portrait

In my previous blog post I talked about the shoot with Sylviane. The purpose of the shoot was to further the portfolio of both Sylviane and me with work that usually doesn’t fit in commercial work.

For the second set of photos, we moved to a dental and medical practice. Well, in our imagination anyway, because in reality it was in Sylviane’s kitchen. We made a series of photos taken in  an environment of a dentist, nurse and surgery and the atmosphere had to refer to a doctor / physician.

The photos are all taken with a Nikon D3s, a 50mm and 85mm (both f1.4) and 3Nikon SB900 flash, controlled via the Nikon CLS system (flash on the camera that controls the other flashes). Behind Sylviane you see a white box / cabinet with glassdoors, which could perfectly serve in a medical practice, especially when you photograph them with large aperture. The colors in the photographs are from color filters that are placed over the flash heads.

model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie
model fotografie

Real estate photography

10 December 2010 om 13:10 door Jürgen geplaatst in de categorie Architecture,Camera,Commercial,Flashlight,Photography,real estate photographer

Real estate photography – or how to use photography to sell your property.

Recently I was commissioned to photograph real estate – a house –  in order to use the photographs to sell the house.  The brief was easy and simpel: make this house look good on photographs, so we can attract potential buyers.

The owners of the house had tried to photograph their place, but without much satisfaction.  Hence their question for professional images.

In order to lift the whole look and feel of the house, I used Nikon SB900 flashes, CTO gels and pocket wizzards (to trigger the flashes).

In the following series of images the difference between the amateur in pro images should be fairly obvious.

Take this shot for example, together with the one following.

With a little help from you friends, this photograph can be changed into something appealing, with loads of warm golden light, a crisp sharp look and verticals that remain, well, vertical  …

The entrance to the house looks more or less like this …

… but, with some decent photography and carefull use of flashlights can also look like this

or like this

and the fully equiped kitchen ….

may look more appealing when photographed in another way, like this

or alternatively like this

And yes, the house has a bedroom, but due to the fact that one needs a decent wide angle, the owners didn’t dare to take a photograph.  But I did.

The light falling onto the bed is actually flash light, with a CTO gel, coming from outside.  Fill in flash was also provided, to lift the general look and feel of the bedroom.

The house was sold within a week at a price higher than the asking price.

Need I say more.

A cover photograph, aka the Christmas cover

7 December 2010 om 13:02 door Jürgen geplaatst in de categorie advertising,Flashlight,Photography,Portrait

As a photographer, freelancing for magazines and art-directors, you have to be both very adaptable and flexible.  Take this cover photograph for OKRA as an example.  The art-director wanted a photograph for the december issue, which had to have a connection with Christmas, but the image shouldn’t be an obvious christmas photograph either (tree, lights & presents). Fine with me.

In addition to that, they suggested a photograph of a mother with baby (you see the Christmas link here) in a Christmas atmosphere.  So, they said, the photograph should have some connection with the time of the year, yet don’t go all the way ….

OK, fine, I’m up for a challenge.  Photography in itself is a challenge, so why not make it more challenging.  Anyway, I set out with my gear, but I had additionally taken some christmas lights as well, hoping to incorporate it somehow in the photograph to have a visual link with Christmas.

The location where we set up the photograph was a simple home living.  I asked to close a dark brown curtain (wouldn’t you want more light, sir? No, thanks), which I would use as my background.  With the help of a few clams I attached the christmas lights to the curtain and switched them on.

Then I had to position the mother and baby in such a way that they were nicely framed by the curtain and Christmas lights, in order to have a balanced photograph.

Next thing I did was to set up 2 Nikon SB900 speedlights, main light coming from camera left and softened by an umbrella, and one coming from behind mother and baby, directly aimed at them (for separation).

The most difficult part of this whole exercise however was to balance the flash light with the Christmas lights.  Too much flaslight would kill all ambiant light, including the Christmas lights at the back.  Too little light would have meant that the ambiant light would overpower the strobes, whereby the dark background would have become light.

So after this execirse, I could freely photography my subject, with this as a result.  The image looks like it was lit through a big window (which it was not).

Thanks to the people at OKRA for such a wonderful response to this image!

OKRA Christmas cover photograph

OKRA Christmas cover photograph.

Architectural photography, the strobist way.

18 November 2010 om 11:34 door Jürgen geplaatst in de categorie advertising,Architecture,Flashlight,Gear,Photography

As a photographer, you want to explore every possible solution to a problem.  While I was doing architectural photography – photographing the interior of a dormitory – I was confronted with rather drab lighting inside.  Also, the sun was shining outside (it was a hot summer day) but was at the “wrong” side of the building, so it didn’t shine into the room that I had to photograph.

A room with a view - using the strobist technique of off-camera flashes to light the inside of a room.

The solution that came to my mind was to light the room with small strobes (Nikon SB900 flash light) in order to create a type of lighting that was more appealing than the available light (or the light that comes from the artificial light in the room, eg light bulbs, fluorescent light, etc ….).

Firstly, I used pocket wizards to trigger my flashes, as the Nikon Creative Lightings System (CLS) wouldn’t have worked well in this particular case.  You need a direct line of sight in order the flashes to trigger.

Secondly, I had my camera set at an exposure whereby I had a rather dark image (ISO 200, F/9 at 1/250 gives a grossly underexposed image) at the inside of the building, but it did match the ambiant light outside pretty well.

Thirdly, I positioned a flash (Nikon SB900) outside with a full cut CTO gell over it, in order to simulate the warm rays of a rising sun.  You can still see a bit of the flash at the far corner of the window, which adds to the feeling of a rising sun.  That flash casts the long shadow of the chair and table and is the key light to the image.

Lastly, I had to bring in extra light in order to lift the general feel to the image.  So I positioned an extra flash to get some light in the ceiling and some general fill to the entire frame.

The result is a double spread in the Sporta magazine , showing the viewers a room the invites to be staying over at their accomodation.

A room with a view - using the strobist technique of off-camera flashes to light the inside of a room.

A room with a view - using the strobist technique of off-camera flashes to light the inside of a room.

Cover for Sporta

28 October 2010 om 13:28 door Jürgen geplaatst in de categorie Commercial,Photography,Portrait

In a previous post I wrote about the cover for Sporta, which was still undecided.

Due to a massive amount of work – September and October have never ever been so busy for me as it was this year – I just neglected this blog for a while.   Shame!

Nevertheless, here’s the “winner” ….  The Sporta cover:

Cover for sporta assignement

Cover for sporta assignement

Although I personally prefered the other cover (image of a basketball player), I can understand very well why this one was chosen.  It shows more of what one can with sporta ….

Cover photograph for Sporta Brochure: which one would you choose? Cover A or cover B?

15 September 2010 om 10:46 door Jürgen geplaatst in de categorie Commercial,Photography,Portrait

As a photographer, trying to satisfy the needs of your clients, it is sometimes a difficult exercise to meet your clients view with your own.  However, as a professional photographer, creating images that have a high impact, you want to deliver photographs that your clients can use and not only what you think your client should use.

During the assignment for Sporta – a centre that provides training facilities for all sorts of athletes in varying disciplines – I photographed many setups and situations, one of which we thought would be useful for the cover of the brochure.  But when it eventually came down to choosing the cover photograph, it proved to be more difficult than expected.

My opinion was fairly clear from the start on how I saw the cover photograph (but my opinion doesn’t count), but even the art-director’s opinion wasn’t 100% on par with the opinion of the board of directors.

Eventually, the art director came up with 2 versions of the cover, which are listed below.

Which one would you choose and why?  Cover A or Cover B?

Please leave your comments in the comment section …

Photo A

Suggestion A for the cover of the Sporta Centrum Brochure.

Suggestion A for the cover of the Sporta Centrum Brochure.

Cover B

Suggestion B for the cover of the Sporta Centrum Brochure.

Suggestion B for the cover of the Sporta Centrum Brochure.

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